In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.

In Michel de Certeau's theory of space practice (walking in the city), "walking", as a daily practice, makes urban space a readable, writable and changeable spatial structure, and individual space and meaning occur in a stable urban order. From my perspective, painting for space is equivalent to "walking" for the urban system. In my “Room” project, I make images against the backdrop of the everyday, creating luminous holes in the images through the revelation of the everyday, giving them a tense of being, functioning as what De Certeau calls a "walking", exploring the possibility of rewriting a moment in time with the participation and experience of the everyday. It also indicates the ability to appropriate a fragment of the everyday. I constantly make images of what is happening, in a way that transforms everyday order and place into a space with personal meaning.