WORKS ELABORATION:
Modular design is an important way in industrial design, refers to in a certain range of different functions of different or the same performance, different specifications of the products on the basis of function analysis, and design a series of functional modules, through the selection and combination of modules can constitute different products, in order to meet the different needs of the market, the design method of the I introduce it into the thinking of printmaking. While emphasizing the expression of "feel", the part that constitutes the whole picture is constructed. In order to obtain a strong form of presentation with discussion space. One of the recurring themes of art over the last hundred years has been the blurring of the distinction between art and other cultural categories. The dissolution of boundaries between contemporary art and life continues in many directions. I hope to reflect the influence of external visual culture on individuals and the unity of personal experience in the painting. Sketch and printmaking are different styles of creation, and even have great conflicts, but for me, they are the most familiar creation methods. I want to emphasize the sense of form to make the two harmonious and echo, and leave enough space for the audience to associate, with the experience of the audience to complete the meaning of the work.
TUTOR COMMENT:
Yin Tianxiang's creation raises a core question about painting, that is, "What kind of deconstruction can construct a painting?" From the appearance of his works, we can see that his creations present irregular shapes similar to puzzles, and at the same time, he is attracted by the pictures organized by different techniques. Complementary, related images and random structures make it difficult to determine whether a painting is complete or not. And this is Yin Tianxiang's exploration. He extracted the hand feeling of painting to present the charm of hand feeling with the help of meaningless images in daily life. At the same time, he enlarged it with the help of parts that are difficult to be identified to highlight the original relationship between man and painting. And a large number of color blocks and random computer hand painting is in the limit to find traces of operation. These operations are the two media we are most familiar with, the human and the digital. In the final stage of his work, he borrowed the concept of modularity from modern production. Let all detail traces become recombined parts, and construct new painting possibilities in a random way.