My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.

My imagination of space in my pictures often comes from my personal psychological perception. I am accustomed to the sense of security in a claustrophobic space and prefer things with a strong sense of mystery, so the objects in my works are always subject to a relatively closed space. Through the personal re-interpretation of space, the space experience of calm and uneasiness is presented.

I mainly use space for subjective interpretation of objective objects. My images mainly come from the objective world, into which I project my own emotions and states. Break the psychological suggestion that space can solve. In countless independent Spaces, through misplacement, to break the conventional visual experience, to create an uneasy and depressed visual experience. I hope to present an "impossible" real world composed of contradictory and staggered Spaces.